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Paint Brands

Farrow & Ball

We use Farrow & Ball on luxury residential projects, feature walls, and heritage homes where the paint itself is part of the design statement. The depth, complexity, and uniqueness of their pigment system produces a finish that simply cannot be replicated.

Why We Use Farrow & Ball

We use Farrow & Ball on projects where colour and finish are the design centrepiece — where the paint is as much a feature as the architecture, furniture, or millwork surrounding it. Farrow & Ball produces their paints using a high proportion of naturally derived pigments and chalks, which gives their colours a depth, movement, and complexity that changes beautifully with the light throughout the day. A room painted in Farrow & Ball's Hague Blue or Mole's Breath looks fundamentally different from the same space painted in a standard big-box match — and our clients who invest in Farrow & Ball consistently remark on how alive the colour feels.

We recommend Farrow & Ball for feature walls and accent spaces, luxury residential interiors, heritage and older homes where traditional finishes are architecturally appropriate, and designer-driven projects where a specific Farrow & Ball colour has been specified on the design board. Their estate emulsion and dead flat finishes are exceptional for period properties and formal rooms where a deep matte look is desired. For kitchens and higher-traffic areas, their estate eggshell and modern eggshell finishes provide a subtle sheen with genuine washability.

Working with Farrow & Ball requires more care and skill than standard paints — the formulation is less forgiving of brush strokes, requires careful wet-edge management, and performs best when applied in optimal temperature and humidity conditions. Our team is experienced with the nuances of Farrow & Ball application and understands how to achieve the smooth, even finish that does justice to these premium coatings. If your designer has specified Farrow & Ball, or if you are drawn to their colour world and want it applied beautifully, we are the team for the job.

Why Farrow & Ball Stands Out

  • Natural pigment formulation produces unmatched colour depth and light responsiveness
  • Over 150 heritage-influenced colours spanning every design direction
  • Estate emulsion and dead flat finishes ideal for period architecture
  • Each colour shifts beautifully through different lighting conditions
  • Our team is experienced in the specific application techniques Farrow & Ball demands

Used For

Luxury residential feature walls and accent spacesHeritage homes and period propertiesDesigner-specified interior projectsFormal rooms requiring deep matte estate finishesKitchen and bathroom eggshell applicationsColour-forward renovation projects

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Farrow & Ball application authority

Sigma Painting applies Farrow & Ball on designer-specified interiors, detailed millwork, heritage-influenced rooms, and luxury residential projects across Toronto and the GTA. The work starts with the substrate, selected finish, primer, sample, room conditions, and touch-up expectations rather than colour alone.

Last updated
August 31, 2026
Reviewed by
Sigma Painting project team

Designer-spec workflow

We confirm the room, substrate, colour, finish, primer, application method, and approved sample before ordering production quantities. Colour schedules are checked against drawings and room names, and the quote records where another product system is being used on ceilings, trim, cabinets, or adjacent rooms.

Heritage and detailed surfaces

Older plaster, layered trim coatings, repaired surfaces, MDF, and existing oil-based finishes need different preparation. The brand choice does not remove that work. It makes a clear substrate and primer specification more important because the selected finish is expected to be part of the room's design.

DecisionFarrow & BallBenjamin Moore Aura
Design intentOften selected for an exact brand colour or finish within a designer specificationOften selected for broad product availability, familiar local specifications, and a large colour system
PreparationSubstrate and primer must support the selected Farrow & Ball finish and expected appearanceSubstrate and primer are matched to the selected Aura surface and sheen
Application planningSample approval, batch planning, wet-edge control, and room conditions are confirmed before productionSample approval, coverage, room conditions, and touch-up planning are confirmed before production
Best decision ruleUse when the Farrow & Ball system is part of the design outcomeUse when the Aura system better fits performance, availability, schedule, or maintenance needs
Colour guide

Farrow & Ball colours we are specifying in 2026

This year's most requested shades first, then the whites, neutrals, greys and colours we are asked for most. Every swatch below is a screen approximation — Farrow & Ball does not publish screen values, and every colour shifts with the light in the room. We bring physical chips and sample pots to the estimate so you see the real thing on your own wall.

Last updated
September 1, 2026
Most requested in 2026
Broccoli Brown No. 198

Whites

Farrow & Ball whites are pigment-heavy and shift more with the light than most. Each one has a matching "family" of neutrals, so we usually pick the white first and let it choose the greys.

  • All White

    No. 2005

    The purest white in the range, with no grey or yellow. Ceilings, and trim against strong colours.

  • Wimborne White

    No. 239

    A soft white with a touch of warmth. The most-used Farrow & Ball white on walls and woodwork together.

  • Pointing

    No. 2003

    A warm, creamy white named after lime pointing. Older homes with original plaster.

  • School House White

    No. 291

    An off-white with a hint of grey-green. Kitchens and rooms with a lot of timber.

  • Strong White

    No. 2001

    A cool white with a grey base. Contemporary interiors and north-facing rooms.

  • Shaded White

    No. 201

    A deeper, stone-tinted white. Walls when the trim is Wimborne or All White.

Warm neutrals & stones

Farrow & Ball's warm neutrals are stone and earth rather than beige. They are the colours that replaced cool greys in halls and living rooms, and they layer with the browns and greens above.

  • Skimming Stone

    No. 241

    A light, warm stone. Halls and landings; the gentlest step away from white.

  • Joa's White

    No. 226

    A warm, creamy stone. Bedrooms and sitting rooms with limited daylight.

  • Stony Ground

    No. 211

    A soft stone beige with a red undertone. Living rooms and exteriors in brick.

  • Elephant's Breath

    No. 229

    A warm mid-grey with a magenta undertone — the classic Farrow & Ball greige.

  • Jitney

    No. 293

    A sandy beige named after the Hamptons bus. Kitchens and family rooms.

  • Mouse's Back

    No. 40

    A rich taupe-brown. Panelling, libraries and exterior joinery.

Monochromatics — greys, charcoals and black

From the lightest grey with any body down to Off-Black. Grey has moved off most walls, but these are still the workhorses for exteriors, front doors, kitchen islands and window frames.

  • Ammonite

    No. 274

    The lightest true grey. A soft, mineral wall colour with white woodwork.

  • Cornforth White

    No. 228

    A mid-light grey that reads warm or cool with the light. Halls and open-plan spaces.

  • Pavilion Gray

    No. 242

    A cool, slightly blue grey. Contemporary rooms and bathrooms.

  • Purbeck Stone

    No. 275

    A warm mid-grey. Kitchens and rooms with stone floors.

  • Mole's Breath

    No. 276

    A deep warm grey. Lower cabinets, islands and exterior doors.

  • Down Pipe

    No. 26

    The Farrow & Ball charcoal. Front doors, kitchen islands and studies.

  • Railings

    No. 31

    A soft black with a blue base. Window frames, exterior trim and interior doors.

  • Off-Black

    No. 57

    A softer alternative to a pure black. Ironwork, doors and Victorian exteriors.

Colours

The blues, greens and pinks we are asked for most. Farrow & Ball colours are built to be used whole-room — walls, ceiling and woodwork in one shade — and most of these are chosen with that in mind.

  • Hague Blue

    No. 30

    The deep blue. Kitchen cabinets, front doors and colour-drenched dining rooms.

  • Stiffkey Blue

    No. 281

    An inky navy, a touch warmer than Hague Blue. Studies and panelled rooms.

  • De Nimes

    No. 299

    A soft denim blue. Bedrooms, bathrooms and kitchen islands.

  • Green Smoke

    No. 47

    A smoky grey-green. Kitchens and exteriors; the most-requested Farrow & Ball green.

  • Card Room Green

    No. 79

    A muted, traditional green. Libraries and country kitchens.

  • Studio Green

    No. 93

    A near-black green. Colour-drenched snugs, and exterior doors beside brick.

  • Setting Plaster

    No. 231

    A dusty plaster pink. Bedrooms and halls; reads as a warm neutral.

  • Sulking Room Pink

    No. 295

    A muted rose. Dining rooms and powder rooms with brass fittings.

Not sure which one?

Colour consultation is part of every Sigma estimate. We look at your floors, light, fixed finishes and the rooms next door, narrow it to two or three, and paint sample boards you can move around the house before a single wall is done.

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